We’re feeling extra creative today at Ellyot. We tested out the theory by artist Jack Stroud from the article by Dom Carter. Being completely honest, we thought we had a more of a photographic memory but turns out we agree with Dom. Test it out for yourself and send us your pics.
12 Months of Neon Love is a collaboration between Victoria Lucas and Richard William Wheater, and began on St Valentines day 2011. The project is formed using a sequence of twelve lyrical statements, borrowed from well-known songs that feature the many configurations of love. Presented over a year in large red neon text, twelve expressions are visually re-presented to an unsuspecting audience going about their everyday lives on the roof of Neon Workshops in Wakefield.
The project is specifically born out of a romantic relationship between two artists; one passionate about neon (Wheater), the other passionate about the subject of time (Lucas). Together they created a year long public artwork that celebrated the many configurations of love, including expressions of intimacy, adoration and heartbreak, using the medium of light with its time-based properties……..
There are now hundreds of renowned photographers of urban fashion, and names like The Sartorialistor Facehunter have become icons of reference in this matter. But today I want to talk about Tommy Ton, my favorite coolhunter photographer.
Tommy is Canadian, and like many of us, without being a photographer, he began taking pictures for his own blog. Over time, his photographs became so good that his talent was spotted by big fashion brands, who started to invite him to the coolest fashion shows or red carpets.
He is now at the epicenter of fashion, and has the chance to see the best looks all the time, but he hasn’t forget how he started, and hasn’t changed his ways. He is still the guy who takes amazing casual pictures on the street, at a cafe, in the subway, etc…
Currently you can find Tommy Ton’s work on some websites like GQ and Style, but he is always doing something else for other pages. I usually check his blog for inspiration.
An artistic interaction on an unparalleled scale, MONUMENTA invites an internationally renowned artist each year to transform the Nave of the Grand Palais with a new, site specific work filling the 13,500 sq.m., 35 metre-high space. This year marks the fifth edition of the event. Daniel Buren, one of France’s most internationally renowned and honoured artists, has been selected for the challenge.MONUMENTA 2012 will be on show between 10 May and 21 June. The first four editions ofMONUMENTA were hugely successful, dedicated to German artist Anselm Kiefer in 2007, American sculptor Richard Serra in 2008, French artist Christian Boltanski in 2010 and Indian-born British artist Anish Kapoor, whose work in 2011 attracted over 270,000 visitors in 6 and a half weeks.
Daniel Buren has realised almost two thousand exhibitions across the world. Born in 1938 in Boulogne-Billancourt near Paris, he lives and works in situ, responding above all to the space in and for which he is making the work. Examples include his transformation of the Guggenheim in New York and the Cour d’honneur at the Palais Royal in Paris. In 2012MONUMENTA invites Daniel Buren to respond to the Nave of the Grand Palais and all its beauty, luminosity and history. For the past 50 years Daniel Buren has been producing highly innovative works, based on a range of outils visuels (‘visual tools’). These elements, apparently minimal, nevertheless metamorphose the spectator’s perceptions and, despite their simplicity, have a profound effect on the viewer. Artwork and space become one, the former revealing the hidden dimensions of the latter, leading the viewer to suddenly look ‘differently’. Daniel Buren’s artistic work, his theoretical approach and his physical interventions have altered the understanding of contemporary art. At the same time the artist’s fascination for the sensation of sight, for colour as a pensée brute (‘pure thought’) and the freedom and experimentation he offers to spectators, have assured his great public success. For MONUMENTA 2012, Daniel Buren will plunge visitors into a Grand Palais that has been metamorphosed. Spectators will become active participants in the unveiling and creation of a brand new artwork and space. This creation will be true to the rigorous approach of this renowned artist whose careful use of materials creates a maximum effect. Daniel Buren’s subtle ‘visual tools’ will reveal the space’s hidden dimensions, invisible potential, past and present…..
UP ON THE ROOF: NEW YORK’S HIDDEN SKYLINE SPACES. Alex MacLean.
[PHOTOGRAPHY: Book presentation]
Thursday, May 31, 2012 at 7:00pm
Clark Gallery in Lincoln, MA
Pilot and photographer Alex MacLean has flown his plane over much of the United States documenting the landscape. Trained as an architect, he has portrayed the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. His powerful and descriptive images provide clues to understanding the relationship between the natural and constructed environments. MacLean’s photographs have been exhibited widely in the United States, Canada, Europe and Asia and are found in private, public and university collections. He has won numerous awards, including the 2009 CORINE International Book Award, the American Academy of Rome’s Prix de Rome in Landscape Architecture for 2003-2004, and grants from foundations such as the National Endowment for the Arts and Graham Foundation. MacLean is the author of ten books including, Las Vegas | Venice (2010), Chroniques Aeriennes: L’art d’Alex MacLean (2010), Alex MacLean: Given a Free Hand (2010), OVER: The American Landscape at the Tipping Point (2008), Visualizing Density (2007), The Playbook (2006), Designs on the Land: Exploring America from the Air (2003), Taking Measures Across the American Landscape (1996), Look at the Land; Aerial Reflections of America (1993) and Above and Beyond; Visualizing Change in Small Towns and Rural Areas (2002). MacLean maintains a studio and lives in Lincoln, Massachusetts.
Alex Webb became interested in photography during his high school years and attended the Apeiron Workshops in Millerton, New York, in 1972. He majored in history and literature at Harvard University, at the same time studying photography at the Carpenter Center for the Visual Arts. In 1974 he began working as a professional photojournalist and he joined Magnum Photos as an associate member in 1976.
During the mid-1970s Webb photographed in the American south, documenting small-town life in black and white. He also began working in the Caribbean and Mexico. In 1978 he started to photograph in color, as he has continued to do. He has published seven photography books, including Hot Light/Half-Made Worlds: Photographs from the Tropics, Under A Grudging Sun, Crossings, the limited edition artist book Dislocations and Istanbul: City of a Hundred Names.
Webb received a New York Foundation of the Arts Grant in 1986, a National Endowment for the Arts Fellowship in 1990, a Hasselblad Foundation Grant in 1998 and a Guggenheim Fellowship in 2007. He won the Leopold Godowsky Color Photography Award in 1988, the Leica Medal of Excellence in 2000 and the David Octavius Hill Award in 2002. His photographs have been the subject of articles in Art in America and Modern Photography. He has exhibited widely in the United States and Europe, in museums including the Walker Art Center, the Museum of Photographic Arts, the International Center of Photography, the High Museum of Art, the Museum of Contemporary Art, San Diego, and the Whitney Museum of American Art.
1974 Bachelor of Arts, History and Literature, Harvard University, Cambridge, MA, USA
1972 Apeiron Photography Workshops with Charles Harbutt, Millerton, New York, USA